Search results for 'from the horn concerto'
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$19.95Former principal horn of the Sydney Symphony Orchestra and the first recipient of a doctorate in the instrument at Julliard, Polish-born teacher, player and composer Kazimierz Machala gives us a concerto for his instrument. In its original format, this work received its premiere on February 19, 2011 by the University of Maryland Wind Orchestra. Learn More -
Starting at: $10.00
Horn and 4 percussion. Learn More -
Starting at: $10.00
Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 5-6
Rondo from the Horn Concerto for Horn and Piano, Andrew Pelletier, horn
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$10.00Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust.Grade: 5-6
Cadenza and Fanfare from the Horn Concerto for Horn and Piano by Randall Faust, Andrew Pelletier, horn
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$10.00Recorded by Andrew Pelletier on
MSR Classics 1168: Celebration: Horn Music of Randall FaustGrade: 5 Scherzo from the Horn Concerto-Andrew Pelletier, horn
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$15.00MSR CLASSICS, 1168. Andrew Pelletier, horn; Jason Aquila, piano, Hyung Ja Kim, piano; and Brian Rotz, organ.
HORN CALL for Horn and Electronic Media (1976)
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CONCERTO for Horn and Wind Ensemble (1987/2006)
CALL AND RESPONSE for Solo Horn (1997)
THREE ENGLISH FOLK SONGS for Horn and Piano (2006)
RONDO for Horn and Piano (1997)
DECLAMATION--Fantasy Variations for Horn and Harpsichord (2004)
FESTIVE PROCESSIONAL for Horn and Organ (2001-2002)
MEDITATION for Horn and Organ (1983)
CELEBRATION for Horn and Organ (1974)
FANTASY on "Von Himmel Hoch" for Horn and Organ (2001)
SESQUICENTENNIAL PRELUDE (2004) -
$50.00Dedicated to Myron Welch and Gaylen Hatton. First performance at The International Horn Workshop-- Brigham Young University, 1987, by hornist Thomas Bacon and The Provo Wind Consort, Ralph Laycock--conductor.
Grade: 5
Scherzo from the Horn Concerto for Horn and Piano-Andrew Pelletier, horn Cadenza and Fanfare from the Horn Concerto for Horn and Piano by Randall Faust, Andrew Pelletier, horn Rondo from the Horn Concerto for Horn and Piano, Andrew Pelletier, horn The Concerto for Horn and Wind Ensemble was written at the request of Myron Welch, Director of Bands at the University of Iowa and Gaylen Hatton, Host of the Nineteenth International Horn Symposium. The first performances were given by hornist, Thomas Bacon with the Provo Wind Consort, Ralph Laycock, conductor, at the Nineteenth International Horn Symposium in 1987 and by Randall Faust with the University of Iowa Symphonic Band, Myron Welch, conductor in 1988. Subsequent performances have taken place at various other schools around the country. Throughout the Concerto, individual movements pay respect to various hornists who have been influential on the composer in a variety of ways. They are recognized in their respective movements.
Prelude-Nocturne (Horn and Percussion) (3 min.) The initial movement makes extensive use of glissandi from open to stopped horn as discussed in Marvin Howe’s article in the Fall, 1973 HORN CALL. The thematic material of this movement creates a scale of open and stopped notes that serve as the pitch set for the entire concerto. Scherzo (Horn, Woodwinds, and Percussion) (5 min.) The second movement takes on the heroic and agile character of the orchestral hornist. It employs a semitone flexibility pattern similar to one practiced by Thomas Bacon. Cadenza and Fanfare (Horn, Brass, and Percussion) (5 min.) Paul Anderson, horn professor at the University of Iowa, introduced me to the unmeasured Preludes of Gallay and some multiple tonguing techniques. I pay my respects to him in this movement. Rondo (Horn with complete Wind and Percussion Ensemble) (4:30 min.) Ignaz Leutgeb, the hornist who commissioned Mozart’s horn concerti, set the standards for all of us. Legends are told of the friendly banter between Mozart and Leutgeb. Their good humor is reflected here. Thank you, Ignaz Leutgeb!
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$9.95The Sonatina for Horn and Piano was written in 1978 for William Presser's friend and Interlochen neighbor, hornist, Marvin C. Howe. This Sonatina describes Marvin's smooth and lyrical style of playing in the second movement and his love of the lower register of the horn in the outer movements. As recorded on the compact disc - Fantasies on American Themes.
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