Search results for 'horn and piano'
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Starting at: $15.00
A heroic fanfare composed for the Western Illinois Horn Festival in honor of Douglas Campbell, April 30, 2006. St. Louis Symphony hornist Thomas Jöstlein conducts his original work for horn octet at the Korean Horn Society camp in August 2011. Over 90 terrific horn students and professionals played this piece, dedicated to the great horn teacher Ellen Campbell, wife of the work's dedicatee, Dr. Douglas Campbell. Dale Clevenger, conducting May 26, 2016 Learn More -
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This work was inspired by the composer's study of the chants and dance rhythms of Native Americans. Performed by the composer at the International Horn Symposium in Munich in 1989. Grade: 5 Learn More -
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Solo work that explores the technique of stopping the horn. Composed for Marvin Howe.
In 1972 THE HORN CALL published part of a short treatise by Marvin Howe on Stopped Horn (1968). In this short treatise, Marvin Howe discussed an effective method for improving stopped horn technique. The essential statement was that closing the hand in the bell of the horn, lowers the pitch to a half-step above the next lowest partial in the harmonic series.” The subsequent letters to the editor of THE HORN CALL became what was known as “The Great Stopped Horn Debate.” Rather than write a letter to the editor, I chose to compose this Prelude—to illustrate the techniques discussed by Marvin Howe. (REF)
Interestingly enough, the review of this composition also became an ongoing discussion between the reviewer-Dr. Gayle Chesebro, the Editor of the Horn Call-Paul Mansur, and Dr. Howe. So, this composition, itself, also became part of “The Great Stopped Horn Debate”!
In many ways the composition is a dialog between the outdoor horn-with little fanfares on open notes of the harmonic series-and the indoor horn-with open-stopped glissandi-created by closing the right hand inside the horn. In the end, regardless of whether one is projecting open notes or stopped notes, the harmonic series always wins the debate! Grade: 5 University Division Solo Horn Selection--American Horn Competition, 1991, 1994, 1997, & 2001.
Recorded by Randall Faust on Fantasies on American Themes. Prelude for Solo Horn-Randall Faust, horn
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Commissioned by Jim Kellock of St. Columba's Episcopal Church, Washington, D.C. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 5
Meditation for Horn and Organ, Andrew Pelletier, horn Learn More
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Starting at: $10.00
Variations on hymn tune "Standing on the Promises of God." Premiered at the Sesquicentennial Services of Centenary United Methodist Church, Mankato, Minnesota. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5
Sesquicentennial Prelude for Horn and Organ, Andrew Pelletier, horn Learn More -
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Fantasy Variations on - Von Himmel Hoch Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 5
Fantasy on Von Himmel Hoch for Horn and Organ, Andrew Pelletier, horn Learn More -
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Wedding processional dedicated to and first performed at the wedding of Krisin and Michael, San Francisco, California, September 2001. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall FaustGrade 4
Festive Processional for Horn and Organ, Andrew Pelletier, horn Learn More -
Starting at: $10.00
First performances with percussionist Aleo and the composer-Interlochen Center for the Arts. Subsequent performances with percussionist Gregory Byrne at meetings of the College Music Society and the Alabama Music Educators Association. Other performances by university professors and students throughout the United States. Grade: 4-5
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Grade: 5 Learn More -
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Grade:5 Learn More -
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Wonderful piece for horn and electronic media where the horn sound is echoed and the timbre manipulated through electronic media. Performed at The Electronic Music Plus Festival--The University of Maryland --1979. Subject of an article by the composer in THE HORN CALL--Fall of 1980. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5-6 Horn Call for Horn and Electronic Media-Andrew Pelletier, horn
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An attractive composition for Horn Quartet in two movements: I. Faith II. Valor Grade: 5 Learn More -
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New and accessible studies based on each of the intervals from the Minor Second through the Major Seventh. Grade: 4 Learn More -
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SCHERZI for physical and mental flexibility. Grade: 4-5 Learn More -
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Picturesque settings of The Wabash Cannonball, Sometimes I Feel Like a Motherless Child, and To Study War No More. As recorded by Randall Faust on the compact disk -
Fantasies on American ThemesGrade: 5 Mvt I: Wabash Cannonball Mvt II: Sometimes I Feel Like a Motherless Child Mvt III: To Study War No More
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A study of the spaces between notes: intervals of time and of sound. In addition to their study and mastery by individuals, these exercises can be studied and performed as canons in two or three parts by like or differing instruments. Available editions include: Horn, Trumpet in B-flat, Trombone, Euphonium, and Tuba. Grade: 4 Learn More -
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Music for Trumpet, Horn and Organ by G.F. Handel, edited by Randall E. Faust. Grade: 4 Learn More -
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Arranged for Horn Quartet by Marvin C. Howe. Grade: 5 Learn More -
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This sextet was commissioned and written for Ashley Cumming, Horn Professor, Murray State University on the occasion of its Premier Performance at the Murray State Horn Faculty Celebration Concert on February 17. 2018. Heroic Brew was also performed at the 50th International Horn Symposium of the International Horn Society at Ball State University in 2018. Grade: 4-5 Learn More
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Composed for Douglas Campbell. A major new work for Solo Horn--exploiting the study of the harmonics of the horn as practiced by Dr. Douglas Campbell and the composer. First performance--Interlochen Center for the Arts--Summer, 1996
Recorded by Randall Faust on Fantasies on American ThemesGrade: 5-6 Harmonielehre for Solo Horn-Randall Faust, horn Learn More
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Recorded by Ralph Lockwood on Crystal Records, by Steve Gross on ACA Digital Recordings: Celebration & Meditation and by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 4-5
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Music for the Horns of the Emerald City for Horn Quartet or Horn Choir was composed for Lydia Van Dreel Horn Professor at The University of Oregon and her vision, as Host, of the International Horn Symposium 52 in 2020. This two movement work depicts two very natural and healthy activities one can associate with the Horn Symposium and with Lydia Van Dreel: The Yoga Class and The Joggers. Grade: 4-6 Learn More -
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This three movement work is a wonderfully colorful set of etudes for solo horn. Grade: 5-6
Battle Axe emphasizes large leaps (7ths and 9ths), often slurred, as well as ascending sixteenth-note patterns following the octatonic scale. The Bug and the Blue Light is an expressive journey through many different keys (all lydian), with slurred, disjunct melody lines that cover a large range. Vertigo Skipping, explores the alternation between 6/8 and 5/8 ideas, as well as slurs from beat to beat, with the ascending major 9th appearing prominently. Three Concert Etudes-Dr. Ashley Cumming, horn
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COMPOSED FOR ANDREW BAIN One of the highlights of the summer of 2020 was the opportunity to participate in a series of internet-based Warm-Up Classes presented by Andrew Bain-Principal Hornist of the Los Angeles Philharmonic Orchestra and co-hosted by Rupal Bain-of their INVESTED MUSICIAN program. Impressed by Andrew's regular presentation of horn studies in a comfortable and friendly atmosphere, I was inspired to write this piece by the fact that he candidly discussed some of his own personal technical challenges in playing the horn. This Scherzo is dedicated to Andrew Bain, his ongoing artistry, inspiration, and good humor.
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This composition - a rainBow of orange above the Green - includes some joyful references to some of my past visits to the BGSU campus-as well as the many happy remembrances of four and a half decades of college teaching. This set of rhapsodic variations depicts a day in the life on a college or university campus starting from the colorful dawn-walking across the campus, hearing the fragments of music in the warm-up sessions in the music building, the classes-some informative and some pedantic, the inspiring moments of repose in the library and art gallery, the excitement of the band playing at an athletic event, and a concert where singers and instrumentalists all come together on stage to perform a final hymn of the school. Like many of my compositions, this work is a set of variations on a theme. Sometimes the theme is a hymn tune or a chorale. Sometimes it is set of variations on a more abstract cantus firmus. In this case, it is a theme found in the letters B, G, C, F, and A! The Three Horn Choirs consist of Choir I: Horn 1, 2, and 3; Choir II: horn 4, 5, and 6; and Choir III: Horn 7, 8, and 9. Within the Three Horn Choirs: 1, 4, and 7 are High Horn Parts; 2, 5, and 6 are middle Horn parts: and 3, 6, and 9 are the Low Horn Parts. As the conductor studies the score, one will see that this provides for many opportunities for antiphonal effects, solo passages for all ensemble members, and symphonic sonorities as one performs the composition. Grade: 5 Learn More
