Search results for 'from the horn concerto'
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$9.99Duet Kopprasch makes the original etudes more palatable – even (dare we say it) fun by adding a social dimension to the etudes, the same way that team sports make exercise much more engaging than solitary workouts. There is also added musical interest as the original lines dance back and forth between the two parts. So grab your horn, a friend, and have fun! $9.99 Learn More -
$9.99Based on the most popular all-time etude collection for horn, 60 Etudes by Georg Kopprasch, Harmony Kopprasch uses the original rhythms and meters, but applies them to a vastly more challenging array of scale and arpeggios types, chords, and keys. The player who knows the originals with their very limited scale types, chords, and keys can take their technique to the next level by revisiting the original pitches in HK in these contemporary harmonic contexts. Learn More -
$9.99The famous Kopprasch etudes for horn (ca. 1830) are, like almost all etude collections, for horn alone. As useful as they are in developing technique, Kopprasch etudes in themselves are rather dry and mechanical as far as considering them as music is concerned. To add some life and depth to them, we have composed piano accompaniments to the first 34 etudes. These accompaniments provide some background in harmony and rhythm for the horn player, and should make the process of working on the originals much more musical and interesting; some may even be suitable for performance. The level of the accompaniments is intermediate - not for a beginner, but by no means virtuoso, so horn teachers with some level of piano skill will be able to play many of them. Learn More -
$9.99Based on the most popular all-time etude collection for horn, 60 Etudes by Georg Kopprasch, Rhythm Kopprasch uses the original Kopprasch etude’s pitches, but applies them to a vastly more challenging array of rhythms, meters, accents, and styles.
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Starting at: $10.00
Picturesque settings of The Wabash Cannonball, Sometimes I Feel Like a Motherless Child, and To Study War No More. As recorded by Randall Faust on the compact disk - Fantasies on American Themes Grade: 5
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Starting at: $15.00
This sextet was commissioned and written for Ashley Cumming, Horn Professor, Murray State University on the occasion of its Premier Performance at the Murray State Horn Faculty Celebration Concert on February 17. 2018. Heroic Brew was also performed at the 50th International Horn Symposium of the International Horn Society at Ball State University in 2018. Grade: 4-5 Learn More
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Starting at: $10.00
Arranged for Horn Quartet by Marvin C. Howe. Grade: 5 Learn More -
Starting at: $10.00
Music for Trumpet, Horn and Organ by G.F. Handel, edited by Randall E. Faust. Grade: 4 Learn More -
Starting at: $10.00
A study of the spaces between notes: intervals of time and of sound. In addition to their study and mastery by individuals, these exercises can be studied and performed as canons in two or three parts by like or differing instruments. Available editions include: Horn, Trumpet in B-flat, Trombone, Euphonium, and Tuba. Grade: 4 Learn More -
Starting at: $6.00
SCHERZI for physical and mental flexibility. Grade: 4-5 Learn More -
Starting at: $6.00
New and accessible studies based on each of the intervals from the Minor Second through the Major Seventh. Grade: 4 Learn More -
Starting at: $10.00
An attractive composition for Horn Quartet in two movements: I. Faith II. Valor Grade: 5 Learn More -
Starting at: $10.00
Wonderful piece for horn and electronic media where the horn sound is echoed and the timbre manipulated through electronic media. Performed at The Electronic Music Plus Festival--The University of Maryland --1979. Subject of an article by the composer in THE HORN CALL--Fall of 1980. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5-6 Horn Call for Horn and Electronic Media-Andrew Pelletier, horn
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Starting at: $10.00
Grade: 5 Learn More -
Starting at: $15.00
Variations in the romantic style on a theme by William Wood. Recorded by Randall Faust on Fantasies on American Themes Grade: 5 Auburn Echoes for Horn, Violin, and Piano-Randall Faust, horn; John Lindsey, violin; Cary Lewis, piano Learn More -
Starting at: $10.00
First performances with percussionist Aleo and the composer-Interlochen Center for the Arts. Subsequent performances with percussionist Gregory Byrne at meetings of the College Music Society and the Alabama Music Educators Association. Other performances by university professors and students throughout the United States. Grade: 4-5
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Starting at: $15.00
Variations in the romantic style on a theme by William Wood. Grade: 5 Learn More -
Starting at: $8.00
Wedding processional dedicated to and first performed at the wedding of Krisin and Michael, San Francisco, California, September 2001. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall FaustGrade 4
Festive Processional for Horn and Organ, Andrew Pelletier, horn Learn More -
Starting at: $10.00
Fantasy Variations on - Von Himmel Hoch Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 5
Fantasy on Von Himmel Hoch for Horn and Organ, Andrew Pelletier, horn Learn More -
Starting at: $10.00
Variations on hymn tune "Standing on the Promises of God." Premiered at the Sesquicentennial Services of Centenary United Methodist Church, Mankato, Minnesota. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5
Sesquicentennial Prelude for Horn and Organ, Andrew Pelletier, horn Learn More -
Starting at: $5.00
Commissioned by Jim Kellock of St. Columba's Episcopal Church, Washington, D.C. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 5
Meditation for Horn and Organ, Andrew Pelletier, horn Learn More
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Starting at: $10.00
Composed in honor of Roger Collins, hornist with the Camerata Woodwind Quintet from 1966-1997. As recorded on the compact disk - Fantasies on American Themes. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5
Rondo for Horn and Piano by Randall Faust, Randall Faust, horn Andrew Pelletier, horn and Minjung Seo, piano May 2018. The performance of Rondo for Horn and Piano begins at 32:40 . Learn More -
Starting at: $10.00
In 1994, I was commissioned by Randy Gardner to compose a Quartet for Four Horns for a compact disc he was producing for Summit Records in collaboration with Michael Hatfield, Douglas Hill, and David Krehbiel. This Romanza was one of the four movements of that Quartet. In the Fall of 2016, I created this horn and piano setting of the Romanza for a series of recital performances, I was planning for the 2016-2017 academic year. -Randall Faust
Grade: 4
Recorded by Thomas and Tricia Jöstlein, horns and Yeon-Kynug Kim, piano on the CD: SINGING SMOOTH MELODIES ON THE HORN
Tricia Jostlein, horn and Minjung Seo, piano May 2018. The performance of this piece begins at 18:45.
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Starting at: $10.00
Commissioned by Douglas Campbell in memory of Ellen Campbell.
Grade: 5
Recorded by Thomas and Tricia Jöstlein, horns and Yeon-Kynug Kim, piano on the CD: SINGING SMOOTH MELODIES ON THE HORN
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Starting at: $4.00
Solo work that explores the technique of stopping the horn. Composed for Marvin Howe.
In 1972 THE HORN CALL published part of a short treatise by Marvin Howe on Stopped Horn (1968). In this short treatise, Marvin Howe discussed an effective method for improving stopped horn technique. The essential statement was that closing the hand in the bell of the horn, lowers the pitch to a half-step above the next lowest partial in the harmonic series.” The subsequent letters to the editor of THE HORN CALL became what was known as “The Great Stopped Horn Debate.” Rather than write a letter to the editor, I chose to compose this Prelude—to illustrate the techniques discussed by Marvin Howe. (REF)
Interestingly enough, the review of this composition also became an ongoing discussion between the reviewer-Dr. Gayle Chesebro, the Editor of the Horn Call-Paul Mansur, and Dr. Howe. So, this composition, itself, also became part of “The Great Stopped Horn Debate”!
In many ways the composition is a dialog between the outdoor horn-with little fanfares on open notes of the harmonic series-and the indoor horn-with open-stopped glissandi-created by closing the right hand inside the horn. In the end, regardless of whether one is projecting open notes or stopped notes, the harmonic series always wins the debate! Grade: 5 University Division Solo Horn Selection--American Horn Competition, 1991, 1994, 1997, & 2001.
Recorded by Randall Faust on Fantasies on American Themes. Prelude for Solo Horn-Randall Faust, horn
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