Search results for 'gallery music'
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$15.00
MSR CLASSICS, 1168. Andrew Pelletier, horn; Jason Aquila, piano, Hyung Ja Kim, piano; and Brian Rotz, organ.
HORN CALL for Horn and Electronic Media (1976)
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CONCERTO for Horn and Wind Ensemble (1987/2006)
CALL AND RESPONSE for Solo Horn (1997)
THREE ENGLISH FOLK SONGS for Horn and Piano (2006)
RONDO for Horn and Piano (1997)
DECLAMATION--Fantasy Variations for Horn and Harpsichord (2004)
FESTIVE PROCESSIONAL for Horn and Organ (2001-2002)
MEDITATION for Horn and Organ (1983)
CELEBRATION for Horn and Organ (1974)
FANTASY on "Von Himmel Hoch" for Horn and Organ (2001)
SESQUICENTENNIAL PRELUDE (2004) -
$15.00Gail Williams, horn
CD includes -- Dana Wilson, Shallow Streams, Deep Rivers; Douglas Hill, A Set of Songs and Dances; Dana Wilson, Musings; and Anthony Plog, Horn Quartet No. 1. Learn More -
$15.00
Composed for the Interlochen Sunday Morning Brass Choir on the 80th Anniversary of the Founding of the National High School Orchestra Camp. July 1, 2007.
Instrumentation 3 Trumpets, 4 Horns, 3 Trombones, Euphonium, and Tuba.Grade: 5
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$15.00
Composed for the Fiftieth Anniversary Season of the Sunday Morning Brass Choir-- Interlochen Center for the Arts.
Grade: 5
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$35.00
Major performances by the Curtis Institute Brass Ensemble and the Interlochen Center for the Arts.
Grade: 5
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$10.00
Composed for the dedication of the Harvey Theatre, Interlochen Center for the Arts
Grade: 4
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$20.00
Wedding processional dedicated to and first performed at the wedding of Kristin and Michael, San Francisco, California, September 2001.
Grade: 4
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$25.00
Commissioned by the University of Louisville for Percussion Professor Gregory Byrne.
Grade: 5
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$90.00
Composed for Jon Dugle and the Western Illinois University Wind Ensemble for the Centennial Convocation of Western Illinois University.
Grade: 5-6
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$90.00
Composed for Dr. Johnnie Vinson and The Auburn University Symphonic Band. Performed at the Alabama Music Educators Association Conference.
Grade: 5
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$40.00
Composed for and commissioned by the Freedom High School Band, Orlando, Florida, Justin Davis, conductor. Premiere performance of the Suite for Band --I. Freedom Fanfare, II. Distant Calls, III. March--May 8, 2007, Freedom High School, Orlando, Florida. A preview performance of the Freedom Fanfare was presented by the Freedom High School Wind Ensemble at the Chick-fil-A Peach Bowl Band Festival on December 28, 2006.
Grade 4-5.
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$25.00
Composed for and commissioned by the Freedom High School Band, Orlando, Florida, Justin Davis, conductor. Premiere performance of the Suite for Band --I. Freedom Fanfare, II. Distant Calls, III. March--May 8, 2007, Freedom High School, Orlando, Florida. A preview performance of the Freedom Fanfare was presented by the Freedom High School Wind Ensemble at the Chick-fil-A Peach Bowl Band Festival on December 28, 2006.
Grade: 5
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$25.00
Wedding processional dedicated to and first performed at the wedding of Kristin and Michael, San Francisco, California, September 2001 transcribed for Horn and Wind Ensemble. 2013 Edition.
Grade: 4
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$25.00
Composed for and commissioned by the Freedom High School Band, Orlando, Florida, Justin Davis, conductor. Premiere performance of the Suite for Band --I. Freedom Fanfare, II. Distant Calls, III. March--May 8, 2007, Freedom High School, Orlando, Florida. A preview performance of the Freedom Fanfare was presented by the Freedom High School Wind Ensemble at the Chick-fil-A Peach Bowl Band Festival on December 28, 2006.
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Grade: 5-6 -
$50.00
Dedicated to Myron Welch and Gaylen Hatton. First performance at The International Horn Workshop-- Brigham Young University, 1987, by hornist Thomas Bacon and The Provo Wind Consort, Ralph Laycock--conductor.
Grade: 5
Scherzo from the Horn Concerto for Horn and Piano-Andrew Pelletier, horn Cadenza and Fanfare from the Horn Concerto for Horn and Piano by Randall Faust, Andrew Pelletier, horn Rondo from the Horn Concerto for Horn and Piano, Andrew Pelletier, horn The Concerto for Horn and Wind Ensemble was written at the request of Myron Welch, Director of Bands at the University of Iowa and Gaylen Hatton, Host of the Nineteenth International Horn Symposium. The first performances were given by hornist, Thomas Bacon with the Provo Wind Consort, Ralph Laycock, conductor, at the Nineteenth International Horn Symposium in 1987 and by Randall Faust with the University of Iowa Symphonic Band, Myron Welch, conductor in 1988. Subsequent performances have taken place at various other schools around the country. Throughout the Concerto, individual movements pay respect to various hornists who have been influential on the composer in a variety of ways. They are recognized in their respective movements.
Prelude-Nocturne (Horn and Percussion) (3 min.) The initial movement makes extensive use of glissandi from open to stopped horn as discussed in Marvin Howe’s article in the Fall, 1973 HORN CALL. The thematic material of this movement creates a scale of open and stopped notes that serve as the pitch set for the entire concerto. Scherzo (Horn, Woodwinds, and Percussion) (5 min.) The second movement takes on the heroic and agile character of the orchestral hornist. It employs a semitone flexibility pattern similar to one practiced by Thomas Bacon. Cadenza and Fanfare (Horn, Brass, and Percussion) (5 min.) Paul Anderson, horn professor at the University of Iowa, introduced me to the unmeasured Preludes of Gallay and some multiple tonguing techniques. I pay my respects to him in this movement. Rondo (Horn with complete Wind and Percussion Ensemble) (4:30 min.) Ignaz Leutgeb, the hornist who commissioned Mozart’s horn concerti, set the standards for all of us. Legends are told of the friendly banter between Mozart and Leutgeb. Their good humor is reflected here. Thank you, Ignaz Leutgeb! -
$35.00