Horn Music
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$30.00Dedicated to the Galliard Brass Ensemble, this collection contains eight well-know carols set for Brass Quintet. The set includes separate parts for both Trumpet in B-flat and Trumpet in C.
- O Tannenbaum
- Tantum Ergo/Let All Mortal Flesh Keep Silence
- God Rest Ye Merry, Gentlemen
- Sing We Now of Christmas
- O Come All Ye Faithful
- Lo, How a Rose E're Blooming
- Gloucestershire Wassail
- It Came Upon the Midnight Clear
Grade: 5
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$25.00Dedicated to the Galliard Brass Ensemble, this collection contains seven well-know carols set for Brass Quintet. The set includes separate parts for both Trumpet in B-flat and Trumpet in C.
1. The First Nowell
2. Coventry Carol
3. Rejoice and Be Merry (Gallery Carol)
4. Linden Tree Carol
5. Sussex Carol
6. Once in Royal David's City
7. Joy to the World
Grade: 5
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$20.00From Lieder eines fahrenden Gesellen by Gustav Mahler, arranged for 6 Horns by Marvin C. Howe.
Another outstanding horn ensemble arrangement published by The Hornists' NestGrade: 4
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$20.00Transcribed for Three Horns by Marvin C. Howe
Another Hornists' Nest publication. The third horn has an impressive low horn part.Grade: 4
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$14.951976 Award winning composition of the Jacksonville Delius Festival. Learn More -
$20.00Touching arrangements by Marvin Howe and published by The Hornists' Nest. Selections include the Russian Folk Song--Someone's Horse is Standing There and two Schubert songs--Her Portrait and The Signpost.
Grade: 4
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$20.00As Lowell Shaw says: "Off on a short and fairly up-tempo romp through several keys, and 'we'll have a grand old time!'"
Grade: 5
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$15.00Twelve Songs of Gabriel Fauré arranged for Horn and Piano by Matt Yount.
Contents include:
- Au Bord de L'eau
- Aurore
- Automne
- Chanson d'amour
- Clair de Lune
- En Sourdine
- Ici-bas!
- Le Secret
- Les Berceaux
- Lydia
- Nell
- Norte Amour
Grade: 4-5
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$15.00MSR CLASSICS, 1168. Andrew Pelletier, horn; Jason Aquila, piano, Hyung Ja Kim, piano; and Brian Rotz, organ.
HORN CALL for Horn and Electronic Media (1976)
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CONCERTO for Horn and Wind Ensemble (1987/2006)
CALL AND RESPONSE for Solo Horn (1997)
THREE ENGLISH FOLK SONGS for Horn and Piano (2006)
RONDO for Horn and Piano (1997)
DECLAMATION--Fantasy Variations for Horn and Harpsichord (2004)
FESTIVE PROCESSIONAL for Horn and Organ (2001-2002)
MEDITATION for Horn and Organ (1983)
CELEBRATION for Horn and Organ (1974)
FANTASY on "Von Himmel Hoch" for Horn and Organ (2001)
SESQUICENTENNIAL PRELUDE (2004) -
$15.00Music by William Presser and Randall Faust. A
valuable recording for horn teachers, students and music libraries featuring
Randall Faust and Roger Collins, horn; Cary Lewis, piano; John Lindsey, violin.CD includes:
- Three American Folk Songs for Two Horns and Piano, Randall Faust
- Fantasy on the Hymn Tune "The Mouldering Vine" for Horn and Piano, William Presser
- Rhapsody on a Peaceful Theme for Horn, Violin, and Piano, William Presser
- Sonatina for Horn and Piano, William Presser
- Elegy and Caprice for Horn and Piano, William Presser
- Three Pieces for Horn: I, William Presser
- Prelude for Solo Horn, Randall Faust
- Harmonielehre for Solo Horn, Randall Faust
- Call and Response for Solo Horn, Randall Faust
- Rondo for Horn and Piano, Randall Faust
- Auburn Echoes for Horn, Violin, and Piano, Randall Faust
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$17.00A wonderful and imaginative collection of seasonal favorites played by Aaron Brask, horns, keyboard, and percussion and Kayo Ishimaru-Fleisher, harp. We also offer Aaron's arrangements: Holiday Music for Horn Quartet or Horn Choir TRACK LISTING • Once in Royal David's City • Carol of the Bells • Away in a Manger • The Christmas Song • How Far Is It To Bethlehem • O, Come, Little Children • Jingle Bells • Frosty The Snowman • Mary Had a Baby • Silver Bells • O Christmas Tree • Sleep of the Child Jesus • Let it Snow! Let it Snow! Let it Snow! • Ding Dong Merrily on High • O Come, All Ye Faithful • We Three Kings • Santa Claus is Coming to Town • Deck the Hall • Silent Night • Joy to the World • Rudolph the Red Nosed Reindeer • Infant Holy, Infant Lowly • Good Christian Men, Rejoice • Jolly Old St Nicholas • I Saw Three Ships • White Christmas • O Little One • I Saw Mommy Kissing Santa Claus • My Sheep Were Grazing • Beautiful Savior / Angels We Have Heard on High High • Winter Wonderland • In the Bleak Midwinter • I Heard the Bells on Christmas Day • O Little Town of Bethlehem • We wish you a Merry Christmas • Auld Lang Syne
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$50.00Dedicated to Myron Welch and Gaylen Hatton. First performance at The International Horn Workshop-- Brigham Young University, 1987, by hornist Thomas Bacon and The Provo Wind Consort, Ralph Laycock--conductor.
Grade: 5
Scherzo from the Horn Concerto for Horn and Piano-Andrew Pelletier, horn Cadenza and Fanfare from the Horn Concerto for Horn and Piano by Randall Faust, Andrew Pelletier, horn Rondo from the Horn Concerto for Horn and Piano, Andrew Pelletier, horn The Concerto for Horn and Wind Ensemble was written at the request of Myron Welch, Director of Bands at the University of Iowa and Gaylen Hatton, Host of the Nineteenth International Horn Symposium. The first performances were given by hornist, Thomas Bacon with the Provo Wind Consort, Ralph Laycock, conductor, at the Nineteenth International Horn Symposium in 1987 and by Randall Faust with the University of Iowa Symphonic Band, Myron Welch, conductor in 1988. Subsequent performances have taken place at various other schools around the country. Throughout the Concerto, individual movements pay respect to various hornists who have been influential on the composer in a variety of ways. They are recognized in their respective movements.
Prelude-Nocturne (Horn and Percussion) (3 min.) The initial movement makes extensive use of glissandi from open to stopped horn as discussed in Marvin Howe’s article in the Fall, 1973 HORN CALL. The thematic material of this movement creates a scale of open and stopped notes that serve as the pitch set for the entire concerto. Scherzo (Horn, Woodwinds, and Percussion) (5 min.) The second movement takes on the heroic and agile character of the orchestral hornist. It employs a semitone flexibility pattern similar to one practiced by Thomas Bacon. Cadenza and Fanfare (Horn, Brass, and Percussion) (5 min.) Paul Anderson, horn professor at the University of Iowa, introduced me to the unmeasured Preludes of Gallay and some multiple tonguing techniques. I pay my respects to him in this movement. Rondo (Horn with complete Wind and Percussion Ensemble) (4:30 min.) Ignaz Leutgeb, the hornist who commissioned Mozart’s horn concerti, set the standards for all of us. Legends are told of the friendly banter between Mozart and Leutgeb. Their good humor is reflected here. Thank you, Ignaz Leutgeb!
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$25.00Wedding processional dedicated to and first performed at the wedding of Kristin and Michael, San Francisco, California, September 2001 transcribed for Horn and Wind Ensemble. 2013 Edition.
Grade: 4
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$15.00French Horn Player’s Guide to the Blues (and Beyond) is a new look at how horn players can get in on the joys and benefits of creating their own music and at last take part in the most influential musical genre of the 20th century, the blues. The blues is an aural art, but this method uses notation as a springboard to (paradoxically) getting free of dependence on notation. Players will learn about the structure of the blues and will learn to solo and create bass lines and accompaniments. Players may learn on their own, with a teacher, or with friends. Learn More -
$25.00Commissioned by the University of Louisville for Percussion Professor Gregory Byrne.
Grade: 5
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$15.00Composed for the Camerata Woodwind Quintet, Western Illinois University, in honor of Apocalyptic Landscape a touring exhibition of artists and poets directed by WIU Art Professor Fred Jones.
Grade: 4
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