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Featured...for those New Year's Resolutions!
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Starting at: $15.00
Sights and Sounds of the Symposium was composed for Robert Palmer and Vanessa Montelongo on the occasion of the 52nd International Horn Symposium. The first movement, The Bell Tower at Sunrise, is an ever-developing set of variations over an ever-developing repeated thematic motive. A Rondo for the Morning Run, the second movement, is based on the Rondo from the Quartet for Four Horns by Randall Faust and uses the pitch pattern: sol-do-re-sol.
Grade 4-6
Recorded by Thomas and Tricia Jöstlein, horns and Yeon-Kynug Kim, piano on the CD: SINGING SMOOTH MELODIES ON THE HORN
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Starting at: $10.00
In 1994, I was commissioned by Randy Gardner to compose a Quartet for Four Horns for a compact disc he was producing for Summit Records in collaboration with Michael Hatfield, Douglas Hill, and David Krehbiel. This Romanza was one of the four movements of that Quartet. In the Fall of 2016, I created this horn and piano setting of the Romanza for a series of recital performances, I was planning for the 2016-2017 academic year. -Randall Faust
Grade: 4
Recorded by Thomas and Tricia Jöstlein, horns and Yeon-Kynug Kim, piano on the CD: SINGING SMOOTH MELODIES ON THE HORN
Tricia Jostlein, horn and Minjung Seo, piano May 2018. The performance of this piece begins at 18:45.
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$25.00Composed for The Washington Brass Quintet. First performance at The Bicentennial Festival of American Music, The National Gallery of Art, Washington, D.C. Grade: 5-6 May 2018 live performance of Gallery Music by the LaMoine Brass Quintet: Bruce Briney and Catherine Sharpe Martinez, trumpets, Randall Faust, horn, John Mindeman, trombone, and Terry Solomonson, tuba. The performance of Gallery Music begins at 1:11:45. I. Adagio begins at 1:11:45 II. Scherzo begins at 1:14:45 III. Lento begins at 1:18:10 IV. Allegro begins at 1:22:45
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$15.00French Horn Player’s Guide to the Blues (and Beyond) is a new look at how horn players can get in on the joys and benefits of creating their own music and at last take part in the most influential musical genre of the 20th century, the blues. The blues is an aural art, but this method uses notation as a springboard to (paradoxically) getting free of dependence on notation. Players will learn about the structure of the blues and will learn to solo and create bass lines and accompaniments. Players may learn on their own, with a teacher, or with friends. Learn More -
$25.00Randall Faust's comprehensive horn studio handbook of technical studies. Contents include studies in Long Tones, Scales, Intervals, Scales in Intervals, Lip Trills, Lip Slurs, Articulation, Arpeggios, Stopped Horn, Dynamic Range, and Warm-ups.Grade: 3-6
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$24.95Horn players need to transpose, yet until now, there has not been a complete method devoted to teaching this essential skill. This method begins by explaining why horn parts need to be transposed and then uses this historical information to provide the hornist with a concrete strategy to master transposition. After building skills through exercises, excerpts from the horn literature are presented for practical application. Helpful transposition tips, practice techniques, and musical advice enhance the musical examples. Learn More
