Search results for 'meditation for horn and organ'
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$15.00New critical performing edition prepared from the manuscripts by Travis Bennett and Andrew Adams
Grade: 5
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$6.00Written in 1966 and edited by Randall Faust, 2013.
Grade: 5
Three Pieces - I, Randall Faust, horn Learn More -
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$15.00Woodwind Quintets by Hetu, Iannaccone, & Steinmetz. Andrea Redcay Graves, flute; Michael Ericson, oboe; Eric Ginsberg, clarinet; Douglas Huff, bassoon; and Randall Faust, horn. (Crystal Records)
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$10.00Picturesque settings of The Wabash Cannonball, Sometimes I Feel Like a Motherless Child, and To Study War No More.
Grade: 5
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$20.00As Lowell Shaw says: "Off on a short and fairly up-tempo romp through several keys, and 'we'll have a grand old time!'"
Grade: 5
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$15.00Twelve Songs of Gabriel Fauré arranged for Horn and Piano by Matt Yount.
Contents include:
- Au Bord de L'eau
- Aurore
- Automne
- Chanson d'amour
- Clair de Lune
- En Sourdine
- Ici-bas!
- Le Secret
- Les Berceaux
- Lydia
- Nell
- Norte Amour
Grade: 4-5
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$8.00Fleeting images of a Middle Eastern bazaar appear in muted colors that fade in and out. The morning begins slowly, as merchants get ready for the day ahead. Somewhere in the distance the bazaar begins and the marketplace builds in activity and excitement. The market activity peaks and gradually subsides, and the aftermath gives way to the evening. The dreamer is finally transported away from the Casbah with memories of the day's excitement trailing behind. -Jeffrey Snedeker, November 2016
Grade: 4
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$10.00A study of the spaces between notes: intervals of time and of sound. In addition to their study and mastery by individuals, these exercises can be studied and performed as canons in two or three parts by like or differing instruments.
Available editions include: Horn, Trumpet in B-flat, Trombone, Euphonium, and Tuba.
Grade:4 Learn More -
$10.00A study of the spaces between notes: intervals of time and of sound. In addition to their study and mastery by individuals, these exercises can be studied and performed as canons in two or three parts by like or differing instruments.
Available editions include: Horn, Trumpet in B-flat, Trombone, Euphonium, and Tuba.
Grade:4 Learn More -
Starting at: $10.00
A study of the spaces between notes: intervals of time and of sound. In addition to their study and mastery by individuals, these exercises can be studied and performed as canons in two or three parts by like or differing instruments.
Available editions include: Horn, Trumpet in B-flat, Trombone, Euphonium, and Tuba.
Grade:4
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Starting at: $15.00
A heroic fanfare composed for the Western Illinois Horn Festival in honor of Douglas Campbell, April 30, 2006. St. Louis Symphony hornist Thomas Jöstlein conducts his original work for horn octet at the Korean Horn Society camp in August 2011. Over 90 terrific horn students and professionals played this piece, dedicated to the great horn teacher Ellen Campbell, wife of the work's dedicatee, Dr. Douglas Campbell. Dale Clevenger, conducting May 26, 2016 Learn More -
$24.95Horn players need to transpose, yet until now, there has not been a complete method devoted to teaching this essential skill. This method begins by explaining why horn parts need to be transposed and then uses this historical information to provide the hornist with a concrete strategy to master transposition. After building skills through exercises, excerpts from the horn literature are presented for practical application. Helpful transposition tips, practice techniques, and musical advice enhance the musical examples. Learn More -
$15.00This CD includes: Divertimento for Horn, Tuba and Piano by David R. Gillingham; Dialogues III for Horn and Tuba by John Stevens; Suite No. 1 for French Horn, Tuba and Piano by Alec Wilder; Dialogue for Horn, Tuba and Piano by Anthony Plog; and Triangles for Horn, Trombone, and Tuba by John Stevens
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Starting at: $4.00
Variations on the Hymn--Amazing Grace. Composed for a presentation by John Heilman for the Auburn University Research Council, March 1997. University Division Solo Horn Selection, American Horn Competition, 2001
Grade: 5Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall FaustRecorded by David Griffin on compact disc: For You: Music for French Horn and PianoRecorded by Randall Faust on Fantasies on American ThemesCall and Response for Solo Horn-Randall Faust, horn
Andrew Pelletier, May 2018. Performance starts at 9:50.
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Starting at: $4.00
This work was inspired by the composer's study of the chants and dance rhythms of Native Americans. Performed by the composer at the International Horn Symposium in Munich in 1989. Grade: 5 Learn More -
Starting at: $4.00
Solo work that explores the technique of stopping the horn. Composed for Marvin Howe.
In 1972 THE HORN CALL published part of a short treatise by Marvin Howe on Stopped Horn (1968). In this short treatise, Marvin Howe discussed an effective method for improving stopped horn technique. The essential statement was that closing the hand in the bell of the horn, lowers the pitch to a half-step above the next lowest partial in the harmonic series.” The subsequent letters to the editor of THE HORN CALL became what was known as “The Great Stopped Horn Debate.” Rather than write a letter to the editor, I chose to compose this Prelude—to illustrate the techniques discussed by Marvin Howe. (REF)
Interestingly enough, the review of this composition also became an ongoing discussion between the reviewer-Dr. Gayle Chesebro, the Editor of the Horn Call-Paul Mansur, and Dr. Howe. So, this composition, itself, also became part of “The Great Stopped Horn Debate”!
In many ways the composition is a dialog between the outdoor horn-with little fanfares on open notes of the harmonic series-and the indoor horn-with open-stopped glissandi-created by closing the right hand inside the horn. In the end, regardless of whether one is projecting open notes or stopped notes, the harmonic series always wins the debate! Grade: 5 University Division Solo Horn Selection--American Horn Competition, 1991, 1994, 1997, & 2001.
Recorded by Randall Faust on Fantasies on American Themes. Prelude for Solo Horn-Randall Faust, horn
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Starting at: $10.00
Commissioned by Douglas Campbell in memory of Ellen Campbell.
Grade: 5
Recorded by Thomas and Tricia Jöstlein, horns and Yeon-Kynug Kim, piano on the CD: SINGING SMOOTH MELODIES ON THE HORN
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$10.00Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust.Grade: 5-6
Cadenza and Fanfare from the Horn Concerto for Horn and Piano by Randall Faust, Andrew Pelletier, horn
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Starting at: $10.00
In 1994, I was commissioned by Randy Gardner to compose a Quartet for Four Horns for a compact disc he was producing for Summit Records in collaboration with Michael Hatfield, Douglas Hill, and David Krehbiel. This Romanza was one of the four movements of that Quartet. In the Fall of 2016, I created this horn and piano setting of the Romanza for a series of recital performances, I was planning for the 2016-2017 academic year. -Randall Faust
Grade: 4
Recorded by Thomas and Tricia Jöstlein, horns and Yeon-Kynug Kim, piano on the CD: SINGING SMOOTH MELODIES ON THE HORN
Tricia Jostlein, horn and Minjung Seo, piano May 2018. The performance of this piece begins at 18:45.
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Starting at: $10.00
Composed in honor of Roger Collins, hornist with the Camerata Woodwind Quintet from 1966-1997. As recorded on the compact disk - Fantasies on American Themes. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5
Rondo for Horn and Piano by Randall Faust, Randall Faust, horn Andrew Pelletier, horn and Minjung Seo, piano May 2018. The performance of Rondo for Horn and Piano begins at 32:40 . Learn More -
Starting at: $10.00
Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 5-6
Rondo from the Horn Concerto for Horn and Piano, Andrew Pelletier, horn
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Starting at: $15.00
Variations in the romantic style on a theme by William Wood. Grade: 5 Learn More -
Starting at: $10.00
First performances with percussionist Aleo and the composer-Interlochen Center for the Arts. Subsequent performances with percussionist Gregory Byrne at meetings of the College Music Society and the Alabama Music Educators Association. Other performances by university professors and students throughout the United States. Grade: 4-5
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