Horn Music
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Starting at: $10.00
Composed in honor of Roger Collins, hornist with the Camerata Woodwind Quintet from 1966-1997. As recorded on the compact disk - Fantasies on American Themes. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5
Rondo for Horn and Piano by Randall Faust, Randall Faust, horn Andrew Pelletier, horn and Minjung Seo, piano May 2018. The performance of Rondo for Horn and Piano begins at 32:40 . Learn More -
Starting at: $10.00
Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 5-6
Rondo from the Horn Concerto for Horn and Piano, Andrew Pelletier, horn Learn More -
Starting at: $10.00
Variations on hymn tune "Standing on the Promises of God." Premiered at the Sesquicentennial Services of Centenary United Methodist Church, Mankato, Minnesota. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5
Sesquicentennial Prelude for Horn and Organ, Andrew Pelletier, horn Learn More -
Starting at: $10.00
Fantasy Variations on - Von Himmel Hoch Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust
Grade: 5
Fantasy on Von Himmel Hoch for Horn and Organ, Andrew Pelletier, horn Learn More -
Starting at: $10.00
First performances with percussionist Aleo and the composer-Interlochen Center for the Arts. Subsequent performances with percussionist Gregory Byrne at meetings of the College Music Society and the Alabama Music Educators Association. Other performances by university professors and students throughout the United States. Grade: 4-5
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Starting at: $10.00
Grade: 5 Learn More -
Starting at: $10.00
Wonderful piece for horn and electronic media where the horn sound is echoed and the timbre manipulated through electronic media. Performed at The Electronic Music Plus Festival--The University of Maryland --1979. Subject of an article by the composer in THE HORN CALL--Fall of 1980. Recorded by Andrew Pelletier on MSR Classics 1168: Celebration: Horn Music of Randall Faust Grade: 5-6 Horn Call for Horn and Electronic Media-Andrew Pelletier, horn
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Starting at: $10.00
Written for the opening recital of the International Symposium hosted by Jonathan Stoneman, 2014. at Imperial College, London, UK. Grade: 4-5 Learn More -
Starting at: $10.00
An attractive composition for Horn Quartet in two movements: I. Faith II. Valor Grade: 5 Learn More -
Starting at: $10.00
Picturesque settings of The Wabash Cannonball, Sometimes I Feel Like a Motherless Child, and To Study War No More. As recorded by Randall Faust on the compact disk -
Fantasies on American ThemesGrade: 5 Mvt I: Wabash Cannonball Mvt II: Sometimes I Feel Like a Motherless Child Mvt III: To Study War No More
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A study of the spaces between notes: intervals of time and of sound. In addition to their study and mastery by individuals, these exercises can be studied and performed as canons in two or three parts by like or differing instruments. Available editions include: Horn, Trumpet in B-flat, Trombone, Euphonium, and Tuba. Grade: 4 Learn More -
Starting at: $10.00
Music for Trumpet, Horn and Organ by G.F. Handel, edited by Randall E. Faust. Grade: 4 Learn More -
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Arranged for Horn Quartet by Marvin C. Howe. Grade: 5 Learn More -
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Music for Two Horns and Organ by G.F. Handel, edited by Randall E. Faust. Grade: 4 Learn More -
Starting at: $10.00
Picturesque settings of The Wabash Cannonball, Sometimes I Feel Like a Motherless Child, and To Study War No More. As recorded by Randall Faust on the compact disk - Fantasies on American Themes Grade: 5
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Starting at: $10.00
This collection: Solo Studies for the Healthy Hornist contains ten solos of varying styles. Specifically written for the younger student in mind, the studies in this book will be interesting and challenging to more advanced players as well. When I retired from Western Illinois University in 2018, the focus of my teaching changed. No longer was I working with graduate students-or even undergraduate students who were doing more advanced projects on Wagner Tuba or the Natural Horn; many of my students, then, were in the younger years of high school or junior high school. So, even though I was older, I was spending more time with younger students. So, as I was spending more time teaching these younger students, I became more attuned to their activities in band, dance, and various athletic pursuits. As a result, let me give special thanks to these students who provided inspiration and test runs of these solo studies: Noah, Ernesto, Jack, Elena, Emily, Anabelle, Lorelei, Brooks, and Carter. Their energy and imagination have been an inspiration for these Solo Studies. Learn More -
Starting at: $10.00
This three movement work is a wonderfully colorful set of etudes for solo horn. Grade: 5-6
Battle Axe emphasizes large leaps (7ths and 9ths), often slurred, as well as ascending sixteenth-note patterns following the octatonic scale. The Bug and the Blue Light is an expressive journey through many different keys (all lydian), with slurred, disjunct melody lines that cover a large range. Vertigo Skipping, explores the alternation between 6/8 and 5/8 ideas, as well as slurs from beat to beat, with the ascending major 9th appearing prominently. Three Concert Etudes-Dr. Ashley Cumming, horn
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Written for and premiered by the Lyric Ensemble, Harold Kafer's setting of the Kyrie for Soprano, Oboe, Horn, and Piano is lovely and lyrical; contemporary and old at the same time and will prove to be a nice addition to your collection of mixed chamber music repertoire that includes horn. Learn More -
$10.00This Sextet was composed for the the Steven Cohen Horn Ensemble and premiered at the 50th International Horn Symposium. Learn More -
$10.00Wachet auf, ruft unsdie Stimme is one of the best know Chorale Preludes of J. S. Bach. The beauty of the work comes not only from its beautiful florid melodic writing, but also from its overall simplicity. Most of the time it is simply two-voice counterpoint; it is only at the entrance of the Chorale melody that it becomes three-voice writing. It is offered here as a special treat for hornists and can be played as a Horn Trio or with a Horn Choir. Learn More -
Starting at: $10.00
COMPOSED FOR ANDREW BAIN One of the highlights of the summer of 2020 was the opportunity to participate in a series of internet-based Warm-Up Classes presented by Andrew Bain-Principal Hornist of the Los Angeles Philharmonic Orchestra and co-hosted by Rupal Bain-of their INVESTED MUSICIAN program. Impressed by Andrew's regular presentation of horn studies in a comfortable and friendly atmosphere, I was inspired to write this piece by the fact that he candidly discussed some of his own personal technical challenges in playing the horn. This Scherzo is dedicated to Andrew Bain, his ongoing artistry, inspiration, and good humor.
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Starting at: $10.00
Horn and 4 percussion. Learn More -
$9.99Based on the most popular all-time etude collection for horn, 60 Etudes by Georg Kopprasch, Rhythm Kopprasch uses the original Kopprasch etude’s pitches, but applies them to a vastly more challenging array of rhythms, meters, accents, and styles.
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$9.99The famous Kopprasch etudes for horn (ca. 1830) are, like almost all etude collections, for horn alone. As useful as they are in developing technique, Kopprasch etudes in themselves are rather dry and mechanical as far as considering them as music is concerned. To add some life and depth to them, we have composed piano accompaniments to the first 34 etudes. These accompaniments provide some background in harmony and rhythm for the horn player, and should make the process of working on the originals much more musical and interesting; some may even be suitable for performance. The level of the accompaniments is intermediate - not for a beginner, but by no means virtuoso, so horn teachers with some level of piano skill will be able to play many of them. Learn More -
$9.99This new volume takes the spirit and general approach of the original and provides “stepping stone” etudes for young players by reducing the range and length of the originals, and occasionally making other adjustments to enable novice players to experience the material similar to the original Kopprasch etudes. Players who use this preparatory material will very likely be ready and able to tackle the original Kopprasch etudes much earlier and more easily than before. Learn More
